Tsavo

Plays: 1,271 | Current: 0 | Rated: 3.72


  • Embed the artist's music on other web sites. All plays count towards the battle!

Basic Info

School: Other - Washington

Region: Seattle Battle

Members: Cameron Mueller, Sean Brown, Gus Winecoff, Ryan Luke, Jason Edwards

Genre: Alternative

Influenced by: Life.

Web site: http://www.tsavotheband.com

Media

Songs

Lost and Forgotten

Videos

Lost & Forgotten

Biography

Tsavo

Seattle band Tsavo’s seductive brand of modern rock has quickly earned them a coveted reputation. Fronted by lead vocalist Cameron Mueller, the band’s members are guitarists Jason Edwards and Ryan Luke, bassist Gus Winecoff and drummer Sean Brown.

Tsavo had the distinction of having been honored in 2009 with receiving the award of runner-up in the category of “Social Justice” from Campus MusicFest, a respected entertainment industry confab featuring workshops that included prominent Hollywood movers and shakers. The voting committee lauded Tsavo’s song “Lost & Forgotten” as a highly eloquent modern rock composition whose message “tells the stories of those suffering from poverty and/or other social injustices.”

Tsavo, who have opened for respected rockers including Kings X (Atlantic), Taproot (Velvet Hammer/Victory), TrustCompany (Geffen), Royal Bliss (Capitol), and Vast (Elektra) have achieved respectability not only because of their memorable live performances, but also for having substance in their music and lyrics and the fierce musicianship to back it up.

Winecoff was nominated for “Best Bassist of 2010” on Comcast’s Hot Rocks television show aired in Seattle. Winecoff’s performances on stage have helped solidify Tsavo’s reputation for provocative live shows. Winecoff is literally a bassist that that will bend over backwards for his fans and he takes it to a new extreme. A seasoned yoga practitioner, Winecoff entrances his live audiences, playing bass riffs while he is bent over backwards, with his head touching the floor. Winecoff says that Tsavo is not just about style. He notes there is a message that Tsavo’s fans get when listening to the band. “Think for yourself. Open your mind. We think our music hits that place that gives them a sense of freedom that only comes from rock and roll.”

Mueller observes, “Sometimes I think the audience sees themselves in our music.” A classically trained vocalist, his mother was a vocal coach who vehemently disapproved of her son pursuing to a career in rock music. However, Mueller followed his heart and his vocal chords. The band includes their rock and roll philosophies and past experiences in their music in a way that fans can relate to. With hearts and minds of steel, or perhaps hard rock and metal, the lyrics are a beckoning part of the intensity Tsavo’s modern rock offers.

In 2008, Tsavo independently released their first full length album, entitled “The Search” which contains twelve tracks. Of the song “Absence”, Mueller explains that he had a “lightening rod moment” that permanently ended his past drug use. The song is “about my crossroads. It is a representation of what my path was going to be. It’s about a journey I went on in a very small amount of time that was life-changing.” He adds, “The fact that I’ve had people tell me that they pulled out of something, and that song helped them get through that period in their life, is very gratifying to me.”

Always rocking hard but thinking deeply, Mueller reflects on his lyrics, explaining that true honesty can only come from inside. “Lost & Forgotten” is one of the band’s songs that came from deep within. “I came to the realization that there were so many things that I had thought I believed, things that I had been taught, and things I had been told to believe, but what I really believed was quite the opposite.”

The pensive vocalist adds, “The only way you can really have a true opinion of reality and yourself and of what is going on is to get rid of all the other perspectives that can pollute your mind. Take the opinions and perspectives out that come from outside influences, and realize for yourself what you truly believe to be real.” Mueller refers to one of Tsavo’s lyric lines, “If I break out, will I be on my own?” This self-inquiry, laced with the power of rock and roll, is what Tsavo is all about.

With style, substance, musicianship and songwriting skills to match, the fans are rocking out and listening to Tsavo, while, Mueller notes, “they’re also taking something away from it at the same time. People get different meanings from our songs, but they’re definitely listening and that’s the important thing.”

Battles



  • * stay tuned for Spring 2012 Battle Dates!

Total Plays: 1,271

close
Sign Up
  •  Terms & Conditions

We give away FREE stuff all of the time. Sign up here to enter to WIN any of our current contest offers and also to be in the running to win an Epiphone Explorer guitar or an iPod Touch!


Signup for Prizes and/or News


*Don't worry we don't spam, Privacy Policy

COLLEGE BATTLE OF THE BANDS

RULES

All rules and prizing are subject to be updated and may change throughout the year. Please check back here periodically.

Eligibility Rules

Process and Judging

Step 1: Sign-up an account at collegebattleofthebands.com

Step 2: Create a profile and upload your best track

Step 3: Get as many people to play, rate, and like you as possible

Step 4: Selection: In each local battle area of the country, artists compete on-stage for prizing and advancement. Judge selections, along with the most poular music artist online at the CBOB website receives entry to the Battle*

Step 5: Local Battle winners advance to a Regional Battle to compete against winners from other local battle areas, for greater prizing and advancement to the National Grand Finale

Step 6: Regional Battle winners advance to the National Grand Finale to compete against the best in the country to become the College Music-Artist of the Year



PRIZES


In addition to awesome exposure, winning artists also take home incredible prizes.

Local Battles:

WINNER


Regional:

WINNER


National Finale:

WINNER


Runner-Ups also receive a free semester of textbook rentals from Chegg.com, a Chipotle party for 10 and an AKG wireless vocal system.

More Info:

All Artists are encouraged to continue getting site plays and ratings throughout the year, as they count towards general site rankings, and additional wild card prizing opportunities. Regional Battles and National Finale may have a wild card selection added by the judges. Not every battle will include a wild card selection. Wild cards are chosen at the judges' discretion in order to balance competition format when spots are available, and to offer additional prizing opportunities to competing artists.

Additionally, check out the Elfenworks Social Justice Category for a cash prizing opportunity, and a great cause at www.collegebattleofthebands.com/elfenworks.

All rules and prizing are subject to be updated and may change throughout the year. Please check back here periodically.


*Selection: The cut-off date for contest entry and online votes is one weeks (7 days) prior to the Local Battle, unless specially-noted for that individual area. So for example, if your Local Battle is on a Saturday, the deadline to submit is one Saturday prior, as the clock hits midnight at the end of that night. For the online metrics, current site 'plays' are weighted heavier, and 'ratings' are used as a secondary metric. All plays and ratings are counted at the submission deadline, unless artists are notified of a voting extension in their region. All votes are subject to qualification and review, to ensure legitimate voting. For the judge selections, music industry professionals along with the show producers choose two or more artists to compete in each Local Battle, for a total of three (or four) artists competing at each Local Battle. Selected finalists will be announced at least 3 days prior to the Local Battle.

**SESAC Cash Prizing

In order to be eligible for the prize, contestants must be either (I) affiliated with SESAC as a songwriter or (ii) eligible for affiliation with SESAC as a songwriter (i.e. not affiliated with ASCAP or BMI) (the "Eligibility Requirement"). In the event any single entry consists of two (2) performers, then at least fifty percent (50%) of the songwriters in such performance group must meet the Eligibility Requirement. In the event any single entry is comprised of three (3) or more performers, then at least fifty one percent (51%) of the songwriters in such performance group must meet the Eligibility Requirement.